French Gray is really much more green than grey, but characterfully flits between the two depending on the light and time of day. Taking inspiration from French decoration and wallpapers used in the 19th century, it creates the most relaxed of rooms. This soothing hue is perfect for exterior woodwork and a particular favourite for front doors in our matt Exterior Eggshell, or garden furniture where it sits seamlessly amongst the greenery.

This stony off white takes its name from a 19th century skim, or plaster colour, but often reminds us of childhood afternoons skimming stones. With its warm light grey undertones, Skimming Stone is extremely versatile and particularly suited to soothing bedroom schemes. One of our Contemporary Neutrals, it sits with the lighter Strong White and darker Elephant's Breath for a clean and contemporary look, but can also be used in a darker statement scheme alongside Pelt or London Clay.

A smoky green blue, this colour was popular in interiors during the late 19th century. It has an irresistibly inviting deepness and weathered familiarity when used in exterior situations, while evoking calm and serenity when used inside.

This light terracotta hue takes its name from the very soil beneath our feet. Red Earth is a rich blend of red and yellow pigments which create a warm earthy feel in homes both old and new. Often best used in smaller spaces, this warm colour responds extraordinarily to the changes of light throughout the day, becoming deeper and cosier as the sun drops.

Our darkest green is also the colour painted on the original studio at Farrow & Ball, where many of our very first colours were created. When brushed onto exterior surfaces, the rich pigments respond extraordinarily to all types of light and magically appear much greener than on our colour card. Within the home, this deep hue appears almost black unless in very well lit rooms.

This strong blue takes its name from the fantastically coloured woodwork much used by the Dutch, and still works wonderfully to ground skirtings or as an accent colour on the walls when teamed with Borrowed Light. The green undertones of this timeless, deep and dramatic blue means it sits as happily outside as it does in small dark rooms.

More blue than black, Railings is a softer alternative to black which is particularly suited to the ironwork it takes its name from. When used in Full Gloss on front doors it creates a handsome and commanding entrance, but becomes much more relaxed in feel in our Estate Eggshell finish. The bluer undertones of this dark hue transform rooms into dramatic and enveloping interior spaces.

This enduring colour is a dark green version of Farrow & Ball classic Pigeon, hence being named after the green variety of the same species. Although traditional in feel, Treron is perfect for modern homes where lots of natural materials are used or as an accent for both French Gray and our Traditional Neutrals.

This warm and contemporary grey is renowned for its characterful paint name, originally created by John Fowler, the notable English interior designer. Elephant's Breath reads as an uplifting mid grey with its hint of magenta, but can become almost lilac in the cooler light of west facing rooms. Try offsetting with Charleston Gray and London Clay for an invitingly earthy scheme with more intense accents, or pair with other Contemporary Neutrals such as the softer Strong White for a sense of neutrality and calm.

This is the lightest colour in the group including Shadow White, Shaded White and Drop Cloth - each created to look like white when used in deep shade. Pared back, timeless and familiar without the cool undertones of the more contemporary neutral groups, this soft off white is reminiscent of the colour used in old school houses.

This calm and muted green is named after the ever changing, subtle colour of creeping algae which ages stone so beautifully. It has a quiet and subtle feel to it, due to its underlying blue tone, and is perfect for use in the garden where it feels totally at one with nature. It works wonderfully as a darker accent to Vert de Terre too.

This just off white is named after the market town of Wimborne in Dorset and home to Farrow & Ball. Only a shade away from a pure white, the addition of the smallest amount of warm yellow pigment creates a very versatile shade which is just a little softer than All White.

Stirabout is inspired by the nurturing porridge favoured over many centuries in Ireland. An earthy tone with just a hint of underlying grey, it’s perfect for creating a relaxed feel, which will never be too cold. Try pairing it with Jitney and natural fabrics for a laidback look.

All White is exactly what it says! Unusually, it contains no other pigment except for white, creating the softest most sympathetic colour without the colder blue undertones of a brilliant white. One of our Architectural Neutrals, All White pairs seamlessly with Skimming Stone and Strong White for a warm scheme with a slight edge. For a clean and almost graphic finish, contrast with fresh, strong tones like Pitch Black and St Giles Blue.

Calamine is indeed named after the lotion we all used as children to soothe nettle stings and rashes! A light touch of grey prevents this subtle pink from being too sugary, giving a much fresher finish. In smaller rooms it becomes intense, but in larger well lit rooms it feels much more delicate.

This popular off white takes its name from the delicate colour of silk used in traditional ballet slippers. Without cool blue undertones, Slipper Satin often reads as a pale grey chalk which makes for a perfect neutral on walls with darker Old White woodwork. Pair with other shades from our Traditional Neutrals for a subtle and sophisticated scheme.

This fresh and uncomplicated white is named after the colour of lime pointing used in traditional brickwork. One of our Warm Neutrals, Pointing has a warm undertone to it which creates the prettiest of spaces when used on walls and always softens the feel of a room alongside strong, traditional colours.

This dark grey green is named after the study-like rooms much favoured in the Victorian period and is unapologetic in its strength. It really comes alive when contrasted with a warm neutral like Off-White or set against the darker Studio Green, but feels more contemporary when used with no contrasts at all.

Cornforth White is the mid tone in the group of Relaxed Neutrals which are totally understated and extremely versatile. Neither too warm nor too cool, Cornforth White sits contentedly between Ammonite and Purbeck Stone to create a hushed and calming retreat. Named in memory of John Cornforth, the revered architectural historian, contrast with Wevet to enhance its grey qualities.

This inky blue is named after the Norfolk beach where the mud, along with the cockles, share a particular deep navy hue. Although traditional in feel, Stiffkey Blue is often used as an alternative to Down Pipe to create a richly dramatic space with a more contemporary finish. When used in well lit areas of the home it will appear much bluer, working wonderfully when contrasted with Ammonite.

Ammonite is named after the treasured fossils often found on the Dorset coast. It has a fantastically understated quality, and sits effortlessly with our Relaxed Neutrals. Neither too warm nor too cool, its subtle grey tone creates a hushed and calming feel in homes both old and new. Try pairing with All White to accent its light grey feel.

Breakfast Room Green is the most cheerful of all our greens, remaining lively in both bright sunlight or softer candlelight. Named after the usually east facing rooms designed for eating the first meal of the day, it is particularly beautiful in the dawn light. When used alone on both walls and woodwork it becomes incredibly striking.

Not to be seen as overtly pink, but rather a muted rose with enormous warmth, its powdery feel makes it incredibly soft and easy to use with complementary tones. Sulking Room Pink is evocative of the colours so often used in boudoirs, a room named after the French "bouder" - to sulk.

This delicate white has a barely there and almost translucent feel to it, and so shares its name with the old Dorset term for a spider’s web. One of our Relaxed Neutrals, Wevet is clean, understated and incredibly easy to live with. With its hint of grey, this hushed tone can be used as a wall colour for a neutral contemporary space or on ceilings and woodwork when combined with cooler greys.

This deep mustard yellow is famously named after the pigment collected from the urine of cows fed on a special diet of mango leaves! It creates a really cosy and surprisingly un-yellow space when contrasted with a dark tone like Tanner's Brown. It should, however, be used in moderation in small rooms where its moody intensity may be a little overwhelming.